极 颜 - [ 古典&小提琴 ] Sibelius: Violin Concerto, Op. 47 - Vaughan Williams 的评论
艺术家简介：耶胡迪·梅纽因（Yehudi Menuhin, 1916-1999）是二十世纪最具传奇色彩和人道主义精神的小提琴巨匠之一。作为举世闻名的神童，他早年即以完美的技巧和对古典曲目的深刻理...
西贝柳斯的芬兰是冷的，是荒的。梅纽因的音色不是海菲兹那种冰刃，是带着体温的冷。那种苍凉感不是外来的，是从琴弦里渗出来的，听着听着就进了北欧的森林。
Menuhin's Sibelius is about survival. That first movement struggle, the slow movement's frozen beauty, the finale's wild dance. He doesn't just play the notes, he lives the journey.
The Chausson Poème is definitive. Menuhin makes it breathe, dream, ache. That free, floating line, those shifts in color. It's not a piece anymore, it's a state of being.
肖松的《音诗》被他拉得像一首真正的诗。没有词，但每一句都像在说。那种朦胧的、梦一样的气氛，只有梅纽因能抓住。不是技巧，是本能。
Compared to Heifetz's ice, Menuhin's Sibelius has cracks. And those cracks let the light in. It's more human, more vulnerable, more like us.
那个《学术协奏曲》被他拉得那么干净，那么朴素。像英国的学院草坪，修剪得整整齐齐，但又透着智性的趣味。第三乐章轻快得像在跑。
Discovered Menuhin through this article. The Sibelius finale - that "devil's dance" - he plays it with such rhythmic fire. Not just fast, but dancing. Wild but controlled.
梅纽因十几岁拉琴的时候，整个欧洲都疯了。这张专辑里能听出他后来的深度，不是那种少年得志的炫技，是带着沧桑的真诚。西贝柳斯协奏曲第二乐章，像一个人在雪地里走了很久。
The Mendelssohn D minor concerto - such youthful energy. Menuhin plays it like he's discovering it for the first time. Fresh, sincere, full of light.
听这张专辑，像看一个人长大的过程。早年的门德尔松那么纯净，后来的西贝柳斯那么深。梅纽因用琴弓写了自己的传记。