极 颜 - [古典] 珍妮·杨森 Janine Jansen - Bach Concertos：数位时代的巴赫杰作 的评论
专辑简介珍妮·杨森（Janine Jansen），1978年出生于荷兰的一个音乐世家，是当今国际乐坛最杰出的小提琴家之一。她自幼习琴，师从菲利普·希施霍恩、鲍里斯·贝尔金等名家，1997年与阿姆...
作为学琴的人，这张专辑简直是教科书级别的演绎。杨森的运弓太讲究了，轻盈又有力，特别是快速乐段的断奏，清晰得像珍珠落玉盘。她和父亲合作的奏鸣曲，那份默契让人羡慕。
Janine and Ramon Ortega Quero in the BWV 1060 - what a pairing! The Adagio is pure magic, those two instruments weaving around each other like lovers. I've listened to it ten times in a row and still can't get over it.
听过很多版本的巴赫小协，格鲁米欧的、谢林的、慕洛娃的，杨森这个版本最让我惊喜。她现代琴拉出了古乐的清爽，不拖泥带水，活力十足。DECCA的录音也棒，定位清晰，音色温暖。
The chamber orchestra approach is genius. You can hear every line, every inner voice that usually gets buried in bigger orchestral versions. The musicians are clearly listening to each other, breathing together. This is how Bach should sound.
之前觉得巴赫太严肃听不进去，朋友推荐了这张。一打开就被吸引了，特别是BWV1060第一乐章，两件乐器像在对话，活泼又好听。原来巴赫可以这么亲切！
"Quirky, bold and spontaneous" - Gramophone nailed it. Janine takes risks, but they always land. That swagger in the E major Allegro, the way she leans into certain phrases... it's so musical, so alive. Never sterile Bach here.
BWV1042的慢板，杨森拉出了一种罕见的寂静感。低音弦乐的拨奏像心跳，小提琴在上面自由歌唱，那种张力让人不敢呼吸。这才是巴赫最深的灵魂。
The father-daughter duo on the sonatas is heartwarming. You can hear the trust, the history, the complete understanding. The C minor sonata especially - that Siciliano movement has so much depth, so much unspoken communication.
从她那张《四季》开始追杨森，这张巴赫也没让我失望。她总能找到新的角度诠释经典，又不显得刻意。12个人的小乐团，演奏出了大乐队的能量，又有室内乐的细腻。
This recording deserves all the praise. The balance between soloist and ensemble is perfect - Janine leads but never dominates. The continuo playing is superb, those cello and bass lines really ground everything beautifully.