极 颜 - [Cool Jazz, 冷爵士] 斯坦·盖茨与切特·贝克（Stan Getz & Chet Baker）- The Stockholm Concerts 1983：两大西海岸传奇在斯德哥尔摩的冰火交融之夜 的评论
视频简介1983年2月18日，瑞典斯德哥尔摩的Södra Teatern剧院，两位西海岸爵士的传奇人物——次中音萨克斯手斯坦·盖茨（Stan Getz）与小号手/歌手切特·贝克（Chet Bak...
Chet Baker在这张唱片里的状态其实不算最好，他的声音有些犹豫，有些退缩。但恰恰是这种“不完美”，让他的演奏更真实，更打动人心。
The version of "How Long Has This Been Going On" is pure elegance. Gershwin's melody, Getz's sax, and the rhythm section's gentle swing—it's the kind of jazz that makes you close your eyes and smile.
两位大师25年没合作，这场演出却像从未分开过。音乐就是这么神奇，它可以跨越时间、恩怨、甚至自我毁灭，把两个人重新连接在一起。
Victor Lewis's drumming on "Milestones" is phenomenal. He swings hard but never overpowers. His cymbal work is so crisp, so responsive to what the soloists are doing. A master.
《Blood Count》这首Billy Strayhorn的作品，被Stan Getz吹出了无限的悲伤。他晚年经历了太多，这首曲子就像是他的内心独白。听的时候，眼眶湿了。
The contrast between Getz's lush, warm tone and Baker's cool, fragile sound is what makes this recording so special. They're opposites, but opposites attract—musically, at least.
第二场的《I'll Remember April》比第一场更放松，两位大师都找到了状态。Stan的萨克斯像海浪一样起伏，Chet的小号像海风一样穿梭，节奏组就是那片海洋。
Stan Getz's solo on "Stella by Starlight" is a masterclass in melodic improvisation. He doesn't just play changes; he tells a story. Every phrase has a beginning, middle, and end.
Chet Baker的小号声总是带着一种脆弱的美感，像玻璃一样透明，又像快要碎掉。《We'll Be Together Again》里他的演奏，就是在用声音描绘“再次相聚”的渴望。
The 1998 reissue added seven previously unreleased tracks, and thank god they did. This music deserves to be heard in its entirety. Every alternate take offers new insights.