极 颜 - [古典 Classical] 郎朗 (Lang Lang) - 伦敦皇家艾伯特音乐厅独奏会：莫扎特与肖邦的巅峰对话 的评论
视频简介这场于2013年11月在伦敦皇家艾伯特音乐厅举行的独奏音乐会，是郎朗职业生涯中具有里程碑意义的演出之一。皇家艾伯特音乐厅是英国最负盛名的音乐殿堂，可容纳五千余名观众，而这场独奏会的门票在...
The way Lang Lang shapes a melodic line is unique. In Chopin’s E-flat major Nocturne encore, he stretched phrases with such longing, it felt like time was standing still. Romanticism at its finest.
以前总觉得郎朗技术好但深度不够，听完这场独奏会的录音我改变了看法。f小调第四叙事曲那种复杂的内心世界，他处理得层次分明，尤其是结尾部分，悲壮而不煽情，非常高级。
K. 283 was pure Mozartian joy. Lang Lang’s articulation in the finale was crisp and buoyant. He made the Albert Hall feel like a Viennese salon for 15 minutes. Magic.
八首返场曲里最让我感动的是肖邦降E大调夜曲。郎朗把右手的高音旋律弹得像在轻轻叹息，左手的和声铺得极柔，那种静谧的美感让五千人的大厅瞬间变成了私人书房。
The Schumann Davidsbündler excerpt was a nice touch. Lang Lang captured the dual personality of Florestan and Eusebius perfectly. A subtle, intelligent choice amid all the virtuoso showpieces.
在水草舞里，郎朗用踏板营造出水面涟漪的效果，那种东方的留白意境太美了。这首曲子作为中国作品出现在这个舞台上，本身就是一种文化自信的展现。
His octaves in the Chopin First Ballade coda were insane. Not just fast and loud, but rhythmically precise. Every chord landed exactly where it should. That’s years of disciplined practice.
我反复听这场音乐会的录音，发现郎朗在莫扎特K.282开篇那个慢板里用了很多半踏板技术，让声音既连贯又清晰。这种细节处理证明他对音色的追求已经到了一种极致。
The sheer stamina required to play four Chopin Ballades plus three Mozart sonatas plus eight encores is staggering. And the playing never flagged. Lang Lang is an athlete of the piano.
斯克里亚宾那首悲怆练习曲当返场曲太猛了。郎朗弹到最后那段急速下行时，整个人几乎要从琴凳上跳起来，那种原始的爆发力让五千人瞬间沸腾。