极 颜 - [Progressive Metal] Opeth（残月魔都乐团）- Live From Graspop 2025：比利时户外音乐节现场 的评论
视频简介演出在巨大的 Marquee 帐篷中进行，时长约一小时。Opeth 以新专辑的序曲开场，串联了早期死亡金属经典与前卫摇滚时期的代表作。现场视听效果极佳，充满了烟雾、紫色与红色的灯光以及氛...
The Marquee tent at Graspop is always a great venue for bands like Opeth. It’s intimate enough to feel the connection with the audience but large enough to accommodate those massive cinematic soundscapes.
看这场演出最大的感受就是——Opeth已经不需要向任何人证明什么了。无论是新专辑的复杂结构还是老歌的经典段落，他们都能以最高水准呈现。这就是三十多年沉淀下来的底气。
I’ve seen Opeth with three different drummers now, and Waltteri might be my favorite. His approach to Master’s Apprentices is more aggressive than Axe’s version, but it never loses the groove that makes that song special.
作为一名乐手，我必须说《§3》的编排太变态了。那些复杂的拍号转换和节奏变化，乐队在舞台上居然能演得和录音室版本一样精准，这需要多少年的磨合才能做到。
The fact that they can play such technically demanding music while dealing with sound bleed from the main stage says everything about their professionalism. Most bands would crumble in that environment.
《Deliverance》作为终曲太完美了。那种长达十分钟的情绪积累，到最后那段标志性的riff循环反复，把整个Marquee帐篷都点燃了。音乐节演出能有这种史诗感实属难得。
Mikael’s vocals on In My Time of Need were breathtaking. Even in a festival setting with all the chaos around, he managed to create this intimate moment. The crowd singing along gave me chills.
从开场《§1》的序曲氛围到《Deliverance》的雷鸣收尾，这一小时的演出涵盖了Opeth三十年的精华。新专辑的作品和老歌放在一起毫无违和感，说明他们的创作始终有一贯的美学追求。
The visual backdrops during this set were stunning. The way the images synced with the music during Ghost of Perdition added another layer to the experience. Opeth always pays attention to the whole sensory package.
Mikael调侃Slipknot那段太好笑了，“我们比他们安静多了，但我觉得我们赢了”。这就是Opeth的自信，不需要靠音量取胜，靠的是音乐本身的力量。