视频简介
这是老鹰乐队在2018年于洛杉矶论坛体育馆（The Forum）举办的经典现场实况。作为美国七十年代最成功的摇滚乐队之一，老鹰乐队在2016年创始成员格伦·弗雷（Glenn Frey）离世后，以唐·亨利（Don Henley）、乔·沃尔什（Joe Walsh）、蒂莫西·B·施密特（Timothy B. Schmit）三位黄金组员为核心，加入了格伦·弗雷的儿子迪肯·弗雷（Deacon Frey）和乡村巨星文斯·吉尔（Vince Gill）组成全新五人阵容 。这场演出收录了26首经典曲目，不仅是乐队对过往辉煌的致敬，更展现了新一代成员带来的生命力。从《Take It Easy》到《Hotel California》，每一首歌都像是一段关于加州与七十年代的时光寓言。乐评人常言，老鹰的音乐是从“乡村摇滚”到“纯摇滚”的完美蜕变，其曲调起伏虽不剧烈，却有着极高的亲和力与流畅的旋律线条，尤其是双吉他的交相辉映，在《Hotel California》的尾奏中达到了登峰造极的境界 。在这场演唱会中，乔·沃尔什的癫狂吉他、唐·亨利沙哑而深邃的鼓点与嗓音，以及文斯·吉尔细腻的乡村指弹，共同构建了一幅跨越世代的摇滚画卷。
乐评
这场《加州论坛体育馆现场》是老鹰乐队在痛失队友后的一次凤凰涅槃。如果说1994年的《Hell Freezes Over》是不插电的温情回归，那么2018年的这次现场则证明了老鹰依然是一支充满力量的硬派摇滚劲旅。唐·亨利的嗓音依旧保持着那种特有的冷峻与悲悯，在《Desperado》中如同一位历经沧桑的西部警长；而乔·沃尔什的加入则带来了狂野的布鲁斯摇滚气息，《Funk #49》和《Life‘s Been Good》的现场表现力极为炸裂，他与新成员文斯·吉尔的吉他对话，既有老派布鲁斯的韵味，又有现代乡村的精湛技巧 。特别值得一提的是迪肯·弗雷，他在演唱父亲格伦的经典曲目《Peaceful Easy Feeling》时，那种血脉相连的传承感令人动容。整场演出的音质与画质达到了蓝光级别的极致体验，无论是《Lyin’ Eyes》中细腻的和声，还是《Life in the Fast Lane》中的狂放失真，都还原了这支“美国最伟大的摇滚乐队”应有的气度 。
歌曲列表：
| 歌名 | 发行专辑 | 年份 |
|---|---|---|
| Seven Bridges Road | Live From The Forum MMXVIII (Live) | 2018 |
| Take It Easy | Eagles | 1972 |
| One of These Nights | One of These Nights | 1975 |
| Take It to the Limit | One of These Nights | 1975 |
| Tequila Sunrise | Desperado | 1973 |
| In the City | The Long Run | 1979 |
| I Can't Tell You Why | The Long Run | 1979 |
| New Kid in Town | Hotel California | 1976 |
| How Long | Long Road Out of Eden | 2007 |
| Peaceful Easy Feeling | Eagles | 1972 |
| Ol' 55 | On the Border | 1974 |
| Lyin' Eyes | One of These Nights | 1975 |
| Love Will Keep Us Alive | Hell Freezes Over | 1994 |
| Don't Let Our Love Start Slippin' Away | (Vince Gill Solo) | - |
| Those Shoes | The Long Run | 1979 |
| Already Gone | On the Border | 1974 |
| Walk Away | (James Gang Cover) | - |
| Life's Been Good | (Joe Walsh Solo) | - |
| The Boys of Summer | (Don Henley Solo) | - |
| Heartache Tonight | The Long Run | 1979 |
| Funk #49 | (James Gang Cover) | - |
| Life in the Fast Lane | Hotel California | 1976 |
| Hotel California | Hotel California | 1976 |
| Rocky Mountain Way | (Joe Walsh Solo) | - |
| Desperado | Desperado | 1973 |
| The Long Run | The Long Run | 1979 |
Too slow for my taste, but my girlfriend loves it. I can see why people enjoy it. The vocal control is impressive.
This is art. The way the textures shift throughout the song keeps it engaging from start to finish. A masterclass in arrangement.
The percussion is so crisp! It really drives the song forward. I also love the subtle pitch bends in the lead synth.
Honestly, I was expecting more. The intro promised something epic, but the track kind of plateaus. Still, a decent listen.
This feels like a warm hug. The acoustic guitar layered under the synths is a great choice. It grounds the electronic elements.