视频简介
这场DVD全长约195分钟,涵盖了22首现场演唱曲目及多段附加内容。曲目选择横跨亚当斯80年代至2000年代的代表作,包括《Summer of '69》《Heaven》《(Everything I Do) I Do It for You》等经典金曲,以及《Room Service》《Open Road》等新专辑作品。演出录制采用多机位拍摄,提供Dolby Digital 5.1、立体声及DTS多种音轨选择,画质为16:9宽屏格式。这不仅是亚当斯中期巡演的珍贵影像记录,也是一场集结了他职业生涯热门单曲的视听盛宴。
高光时刻:
- 《Summer of '69》全场大合唱:这首摇滚国歌响起时,里斯本现场观众的热情被彻底点燃,全场齐声合唱,成为整场演出的情感顶点。
- 《It's Only Love》的激情演绎:亚当斯与现场乐队在这首硬摇滚风格的作品中展现了极强的舞台爆发力,吉他手Keith Scott的solo令人印象深刻。
- 《When You're Gone》的现场版:作为90年代末期的重要单曲,现场版呈现了不同于录音室版本的即兴发挥和情感张力。
- 《Room Service》开场连击:以新专辑同名主打歌《Room Service》和《Open Road》开场,迅速调动现场气氛,展现了亚当斯在2000年代依然强劲的创作与现场能量。
深度赏析:
嗓音状态:这场演出正值亚当斯职业生涯的中期巅峰阶段,他的沙哑嗓音保持着极佳的穿透力和爆发力。从《Run to You》的高能硬摇滚到《Have You Ever Really Loved a Woman?》的温柔抒情,亚当斯展现了游刃有余的声音控制力。
器乐表现:长期合作伙伴Keith Scott的吉他演奏是演出的一大亮点,他的主音吉他线条在《Cuts Like a Knife》和《Kids Wanna Rock》中尤为出彩。节奏组Mickey Curry(鼓)与Brian Stanley(贝斯)的配合稳健有力,为整场演出提供了坚实的律动基础。
编排与曲目:22首曲目的编排兼顾了经典老歌与新专辑推广,既照顾了老歌迷的怀旧需求,也展现了乐队在2000年代的新方向。这种跨越二十年职业生涯的曲目选择,使演出成为亚当斯音乐历程的缩影。
制作水准:Dick Carruthers的导演功力体现在多机位的精准切换上,既有全景展现舞台与观众互动的宏大场面,也有特写捕捉亚当斯演唱时投入的表情细节。
歌曲列表:
| 歌名 | 发行专辑 | 年份 | 时长 | 备注 |
|---|---|---|---|---|
| Room Service | Room Service | 2004 | - | 开场曲 |
| Open Road | Room Service | 2004 | - | - |
| 18 Til I Die | 18 til I Die | 1996 | - | - |
| Let's Make a Night to Remember | 18 til I Die | 1996 | - | - |
| Can't Stop This Thing We Started | Waking Up the Neighbours | 1991 | - | - |
| Kids Wanna Rock | Reckless | 1984 | - | - |
| Back to You | On a Day Like Today | 1998 | - | - |
| (Everything I Do) I Do It for You | Waking Up the Neighbours | 1991 | - | - |
| Summer of '69 | Reckless | 1984 | - | 全场大合唱经典 |
| Cuts Like a Knife | Cuts Like a Knife | 1983 | - | - |
| When You're Gone | On a Day Like Today | 1998 | - | - |
| Not Romeo Not Juliet | Room Service | 2004 | - | - |
| Heaven | Reckless | 1984 | - | - |
| It's Only Love | Reckless | 1984 | - | - |
| The Only Thing That Looks Good on Me Is You | 18 til I Die | 1996 | - | - |
| Cloud Number 9 | On a Day Like Today | 1998 | - | - |
| Run to You | Reckless | 1984 | - | - |
| Best of Me | Anthology | 1999 | - | - |
| Flying | 单曲 | 2004 | - | - |
| All for Love | 三个火枪手原声 | 1993 | - | 与Rod Stewart、Sting合作版 |
| Straight from the Heart | Cuts Like a Knife | 1983 | - | - |
| Room Service (Reprise) | Room Service | 2004 | - | 返场曲 |
音视频规格:
- 画质:16:9宽屏格式,多机位专业录制
- 音频:Dolby Digital 5.1 / Stereo / DTS 三种音轨可选
- 字幕:待补充
稀有度说明:
这场演出最初是作为2005年精选集《Anthology》北美限量版的附赠DVD发行,并非独立大规模发行的演唱会录像。对于北美地区的乐迷而言,这张DVD具有较高的收藏价值。同时,演出收录了多首《Room Service》专辑曲目的现场版本,该专辑是亚当斯在2000年代为数不多的录音室作品之一。此外,长达195分钟的完整内容以及包含的RFM电台采访、宣传视频等附加素材,使其成为亚当斯中期生涯的珍贵影像文献。
I'm so glad they included "When You're Gone" even without Melanie C. Bryan's solo version has a different kind of intimacy. You can hear the emotion in his voice, the longing, the vulnerability. Stunning.
The rhythm section of Mickey Curry on drums and Brian Stanley on bass is rock solid. Listen to "Can't Stop This Thing We Started"—the groove is unstoppable. These guys have been playing together for decades and it shows.
《Cloud Number 9》这首的现场版比录音室好听太多了。贝斯线特别突出,律动感很强,布莱恩唱的时候带着一种慵懒的洒脱,整个乐队状态特别放松。
"Back to You" is one of those songs that just hits different live. The Lisbon crowd knew every word, and you can see Bryan genuinely appreciating the love. That moment of connection is what live music is all about.
Dick Carruthers' direction is flawless. The way he cuts between wide shots of the crowd and close-ups of Bryan's sweat-drenched face during "Run to You" creates such an intimate connection. Pure cinema.
《Not Romeo Not Juliet》这首歌在现场听起来比专辑里猛十倍。Keith Scott的吉他riff带着一股狠劲,布莱恩的嗓音也完全放开了,那种摇滚乐原始的冲击力太爽了。
This DVD originally came with the Anthology limited edition? No wonder it's so hard to find. I've been searching for this for years. The fact that it has 195 minutes of content plus interviews makes it a true treasure.
I love that they included "Flying" in the setlist. It's such a beautiful, uplifting track that often gets overlooked. The live version in Lisbon has this ethereal quality that the studio version doesn't quite capture.
《Summer of '69》那段全场大合唱我看哭了。里斯本的观众太疯狂了,整首歌基本是万人齐唱,布莱恩都快不用唱了。这就是摇滚现场的魅力啊。
Keith Scott is the unsung hero of this whole performance. His guitar work on "Cuts Like a Knife" is just perfect—every bend, every vibrato, every note matters. A masterclass in rock guitar.
2006年正是布莱恩嗓音最成熟的时候,既有年轻时的沙砾感,又有岁月沉淀下来的控制力。《(Everything I Do) I Do It for You》唱到最后那个高音,稳得一批。