![[古典 管弦乐] 乌克兰自由乐团（Ukrainian Freedom Orchestra）- Beethoven: Symphony No. 5 – Kolomiiets: Suite from 封面](https://wnmax.com/usr/uploads/2026/02/20260225191808_d90edc48.jpg)
列表：
"1. Symphony No. 5 in C Minor, Op. 67:I. Allegro con brio - Ukrainian Freedom Orchestra, Keri-Lynn Wilson, Ludwig van Beethoven (7:23)
- Symphony No. 5 in C Minor, Op. 67:II. Andante con moto - Ukrainian Freedom Orchestra, Keri-Lynn Wilson, Ludwig van Beethoven (9:41)
- Symphony No. 5 in C Minor, Op. 67:III. Scherzo. Allegro - Trio - Ukrainian Freedom Orchestra, Keri-Lynn Wilson, Ludwig van Beethoven (5:04)
- Symphony No. 5 in C Minor, Op. 67:IV. Finale. Allegro - Ukrainian Freedom Orchestra, Keri-Lynn Wilson, Ludwig van Beethoven (8:32)
- Suite from "The Mothers of Kherson":I. Adagio – Vivo - Ukrainian Freedom Orchestra, Keri-Lynn Wilson, Maxim Kolomiiets (4:37)
- Suite from "The Mothers of Kherson":II. Sostenuto, rubato - Ukrainian Freedom Orchestra, Keri-Lynn Wilson, Maxim Kolomiiets (3:47)
- Suite from "The Mothers of Kherson":III. Lento - Ukrainian Freedom Orchestra, Keri-Lynn Wilson, Maxim Kolomiiets (4:58)"
乐评：
这张由德意志留声机公司于2026年2月发行的专辑，是对乌克兰抵抗精神最深沉的音乐致敬。它不仅是乌克兰自由乐团2025年“韧性巡演”的现场记录，更选在俄乌战争四周年之际问世，将音乐化为时代的证言。
贝多芬的“命运”作为抵抗的号角
专辑收录的贝多芬《C小调第五交响曲》堪称乐团艺术理念的完美载体。这部在动荡与个人危机中写就的杰作，其开篇著名的“命运动机”在二战时期曾作为盟军抵抗纳粹的象征（摩斯密码“V”代表胜利）。指挥家威尔逊明确指出，希望这四声叩击能再次成为今日世界抵抗不公的标志。乐团在立陶宛维尔纽斯的现场演绎，并未停留在对经典的复刻，而是注入了炽热的情感与紧迫的时代感。第一乐章的决绝、第二乐章的深沉咏叹、第三乐章向末乐章过渡时从黑暗到光明的挣脱，最终在第四乐章辉煌的胜利中，化为对自由的呐喊。这不仅是对音符的演奏，更是对“战胜逆境”这一人类永恒主题的亲身诠释。
《赫尔松的母亲》：战争创伤的音乐见证
专辑的另一半篇幅，留给了乌克兰当代作曲家马克西姆·科洛米耶茨的《赫尔松的母亲》组曲。这部作品改编自一部即将在大都会歌剧院和波兰国家歌剧院上演的同名歌剧，其主题直指战争中最令人心碎的悲剧之一——那些深入敌后、试图从俄方控制下解救自己孩子的赫尔松母亲们。
组曲的三个乐章以管弦乐的语言浓缩了这部歌剧的情感核心：
- 第一乐章 慢板–活跃地：开篇的沉重与随后的不安躁动，仿佛描绘了母亲们内心的焦虑与踏上危险旅程的决绝。
- 第二乐章 持续的行板，自由的节奏：以悠长而富有歌唱性的旋律线条，勾勒出母亲们深沉的思念与无法言说的哀伤，弦乐群的音色如泣如诉。
- 第三乐章 慢板：乐章在极缓的节奏中铺陈，充满圣咏般的肃穆与悲悯。这或许是面对苦难的沉思，也是对逝者的安魂祈祷。
这是科洛米耶茨作品的首个录音，让世人得以提前感知这部未来歌剧的宏大悲悯。乐团成员大多来自乌克兰，他们与这片土地血脉相连，演奏同胞的新作时，那份刻骨铭心的情感共鸣是任何技巧都无法替代的。
这张专辑中，古典的宏伟与当代的悲怆相互交织。贝多芬的C小调不仅叩响命运之门，更敲响了自由的战鼓；科洛米耶茨的组曲则让被战火灼伤的母亲形象，永远铭刻在音乐的纪念碑上。这已超越纯音乐的范畴，成为乌克兰文化韧性的最强音。
音频文件
- Beethoven Symphony No in C Minor Op I Ukrainian Freedom Orchestra Keri Lynn Wilson (16.94 MB)
- Kolomiiets Suite from The Mothers of (8.68 MB)
- Kolomiiets Suite from The Mothers of Kherson (10.58 MB)
- Kolomiiets Suite from The Mothers of (1) (11.42 MB)
- Beethoven Symphony No in C Minor Op IV Ukrainian Freedom Orchestra Keri Lynn Wilson (19.59 MB)
- Beethoven Symphony No in C Minor Op II Ukrainian Freedom Orchestra Keri Lynn Wilson (11.62 MB)
- Beethoven Symphony No in C Minor Op II Ukrainian Freedom Orchestra Keri Lynn Wilson (1) (22.22 MB)
La scelta di abbinare Beethoven a un compositore contemporaneo ucraino è geniale. Mostra che la lotta per la libertà non è solo storia antica, ma continua oggi. Il terzo movimento della suite di Kolomiiets ha una qualità quasi sacra - come una preghiera per i caduti. Musica che fa riflettere.
I was at the BBC Proms performance in 2023 when they played this. The silence in the Royal Albert Hall during the Kolomiiets was deafening. People were crying. This recording captures some of that electricity, but nothing compares to seeing these musicians pour their hearts out on stage. Essential listening.
Słucham tej płyty i myślę o moich ukraińskich przyjaciołach, którzy musieli uciekać z Kijowa. Ta orkiestra to ich głos. Szczególnie suita Kolomiietsa - to muzyka, która boli, ale jednocześnie daje nadzieję, że prawda przetrwa. (I listen to this album and think of my Ukrainian friends who had to flee Kyiv. This orchestra is their voice. Especially the Kolomiiets suite - this music hurts, but at the same time gives hope that the truth will survive.)
This album proves that classical music is not museum culture. It's alive, it's urgent, it's political. The Ukrainian Freedom Orchestra isn't just playing notes - they're fighting for their country's right to exist. Every album purchase is a small act of resistance. Buy it, listen to it, share it.
The sound quality on this recording is extraordinary. DG has captured the raw energy of the live performance without losing any clarity. In the Beethoven finale, you can hear every individual voice in the orchestra fighting to be heard - it's chaotic in the best possible way, like democracy in sound.